All BRAMANTE 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
80017 Abraham DavelAbraham Davel  Abraham DavelAbraham Davel   Execution of major en:Abraham DavelAbraham Davel. Reproduction of a painting by Charles Gleyre, oil on canvas, 1850. On display at Morges military museum. cjr
92035 Alessandro Turchi  Alessandro Turchi   1630-1635, oil on coper, accession number 992-1-1. cyf
83349 Ancient copy of a miniature  Ancient copy of a miniature   1820. Oil on canvas. cyf
91987 Birds  Birds   oil on wood, 1619. Accession number MBA 1691. cyf
87216 Birds, French anonymous of the early 17th century  Birds, French anonymous of the early 17th century   oil on wood, 1619 cjr
85959 Christ and the adulterous woman  Christ and the adulterous woman   Christ and the adulterous woman, Anonymous from Venice (formerly attributed to El Greco), second half of the 16th century. Oil on Canvas. Bought in 1890. Accession number: 238 cjr
90143 Christ and the adulterous woman mg  Christ and the adulterous woman mg   Oil on Canvas. Bought in 1890 cyf
5340 Christ at the Column gfd  Christ at the Column gfd   c. 1490 Tempera on panel, 93 x 62 cm Pinacoteca di Brera, Milan
80074 comte de Provence  comte de Provence   Oil on painting, 1788. Lent by Grenoble Fine Arts museum. On display at Château de Vizille. cyf
79281 Death of Joseph Bara  Death of Joseph Bara   Oil on painting, after 1794. Lent by Lille Fine Arts museum in 2004. On display at Château de Vizille, accession number MRF D 2004-9. Date cyf
80076 Death of Joseph Bara  Death of Joseph Bara   Oil on painting, after 1794. Lent by Lille Fine Arts museum in 2004. On display at Château de Vizille, accession number MRF D 2004-9. cyf
83935 Execution of major en:Abraham DavelAbraham Davel  Execution of major en:Abraham DavelAbraham Davel   oil on canvas, 1850 cyf
5346 Exterior of the church dfg  Exterior of the church dfg   begun c. 1492 Santa Maria delle Grazie, Milan
5344 Heraclitus and Democritus fd  Heraclitus and Democritus fd   1477 Fresco transferred to canvas Pinacoteca di Brera, Milan
79282 Louis Stanislas Xavier, comte de Provence  Louis Stanislas Xavier, comte de Provence   Oil on painting, 1788. Lent by Grenoble Fine Arts museum. On display at Château de Vizille. cyf
5342 Man with a Broadsword dfg  Man with a Broadsword dfg   c. 1481 Fresco transferred to canvas, 285 x 127 cm Pinacoteca di Brera, Milan
5341 Man with a Halbard (detail) fg  Man with a Halbard (detail) fg   c. 1481 Fresco transferred to canvas Pinacoteca di Brera, Milan
5343 Man-at-Arms ds  Man-at-Arms ds   c. 1481 Fresco transferred to canvas, 90 x 113 cm Pinacoteca di Brera, Milan
83310 Moses saved from the waters, David Winckboons  Moses saved from the waters, David Winckboons   Moses saved from the waters, David Winckboons, 1600-1602. Oil on wood. Bought in 1941. Accession number: 1654 cjr
98131 Portrait of a man  Portrait of a man   oil on canvas. Accession number 266. cyf
78255 Portrait of Camilla Spinola  Portrait of Camilla Spinola   oil on canvas, circa 1633. Accession number 1774 Date cyf
82720 Portrait of mister de Courcy  Portrait of mister de Courcy   oil on canvas, 1816. Accession number D.44.988.04. Date cyf
87711 Saint Peter and Saint Paul  Saint Peter and Saint Paul   1616, Oil on canvas, accession number 180 Date cyf
92112 Self-portrait  Self-portrait   oil on canvas, circa 1645 cyf
5345 Study fgf  Study fgf   Drawing Galleria degli Uffizi, Florence
96801 Susanna and the Elders  Susanna and the Elders   Oil on copper cyf
5347 Tempietto d  Tempietto d   1502 San Pietro in Montorio, Rome
89473 Tobias Gimbel  Tobias Gimbel   oil on canvas cyf
89474 Tobias Gimbel  Tobias Gimbel   oil on canvas cyf
97947 Venus and Cupid  Venus and Cupid   Oil on Canvas. Found in Germany after the Second World War. Accession number: 1867 or MNR 16 cyf
BRAMANTE
Italian High Renaissance Architect and Painter, 1444-1514 In the first decade of the 16th century Donato Bramante was the chief architect in Rome, which had just replaced Florence as the artistic capital of Europe because the patronage of Pope Julius II (reigned 1503-1513) attracted all the leading Italian artists to that city. It is particularly the triumvirate of artists - Michelangelo the sculptor and painter, Raphael the painter, and Bramante the architect - who dominated this period, usually called the High Renaissance, and whose influence overwhelmed the following generations. Donato di Pascuccio d'Antonio, called Bramante, was born in 1444 at Monte Asdruvaldo near Urbino. Nothing is known of the first 30 years of his life. During that period, however, the court of Federigo da Montefeltro at Urbino was a flourishing humanistic and cultural center, attended by artists such as Piero della Francesca, Melozzo da Forll, and Luciano Laurana, who probably influenced the young Bramante. The first notice of Bramante dates from 1477, when he decorated the facade of the Palazzo del Podestaat Bergamo with a frescoed frieze of philosophers.



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